LACMA presents THE x, y, and z PORTFOLIOS by American photographer Robert Mapplethorpe

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By James MacLean

Curator of the Wallis Annenberg Photography Department at LACMA. “The X,Y, and Z portfolios not only defined the artist’s career, but also played a role in an important moment of American cultural politics that is still pertinent to us today.” This is the first presentation of Mapplethorpe’s work since last year’s widely publicized joint acquisition by LACMA, The J. Paul Getty Museum, and The Getty Research Institute of Mapplethorpe’s art and archives—
including over 1,900 editioned prints and over 1,000 non-editioned prints, 200 unique mixed-media objects, over 160 Polaroids, 120,000 negatives, and extensive working materials, ephemera, and documents.

The majority of the acquisition originated as a generous gift from the Robert Mapplethorpe Foundation, and the remainder of the funds provided by the David Geffen
Foundation and the J. Paul Getty Trust. Concurrent with the LACMA exhibition, The J. Paul Getty Museum presents In Focus: Robert Mapplethorpe, on view October 23, 2012-March 24, 2013. This single-gallery exhibition reviews the artist’s work from the early 1970s to the late 1980s, and features editioned prints, rarely seen mixed-media objects, and Polaroids that depict a wide range of subject matter including self-portraits, nudes, and still lifes. A larger Mapplethorpe
retrospective, jointly organized by LACMA and the Getty, is planned for

About the ArtistBorn in 1946, Robert Mapplethorpe grew up in the suburban area of Floral
Park, Queens. As a student at the Pratt Institute in New York, he studied drawing, painting, and sculpture and experimented with various materials in mixed-media collages. When Mapplethorpe acquired a Polaroid camera in 1970, he began incorporating his own photos into his constructions. His first solo gallery exhibition, Polaroids, took place at Light Gallery in
New York City in 1973. Two years later he transitioned from the Polaroid to a Hasselblad mediumformat camera and began shooting his circle of friends and acquaintances. His subjects—artists, musicians, socialites, pornographic film stars, and members of the S & M underground—came from a variety of backgrounds.

Mapplethorpe’s interest in documenting the New York S&M scene was 3 strongest in the late 1970s, when he produced photographs with shocking content but remarkable technique and formal mastery. In 1978, the Robert Miller Gallery in New York City became his exclusive dealer. Throughout the 1980s, Mapplethorpe produced images that challenged and adhered to classical aesthetic standards including stylized compositions of male and female nudes, delicate flower still lifes, and studio portraits of artists and celebrities. He explored and refined different techniques and formats—including color 20” x 24” Polaroids, photogravures, platinum prints on paper and linen, Cibachrome and dye transfer color processes—but gelatin silver printing remained his primary medium. In 1986, Robert Mapplethorpe was diagnosed with AIDS.

Despite his illness, he accelerated his creative efforts, broadened the scope of his photographic inquiry, and accepted numerous commissions. The Whitney Museum of American Art mounted his first major American museum retrospective in 1988, one year before his death in 1989. Beyond the art historical and social significance of his work, his legacy lives on through the work of Robert Mapplethorpe Foundation, which he established in 1988 to promote photography, support museums that exhibit photographic art, and to find medical research in the fight against AIDS and HIVrelated infection. Exhibition History Mapplethorpe’s work has historically provoked strong reactions, most notably during the so-called Culture Wars of the 1980s, a period of conflict between conservative and liberal factions. The traveling retrospective, The Perfect Moment, opened at the Institute of Contemporary Art in Philadelphia in 1988. Among the 150 photographs and objects in the show were the sadomasochistic imagery of Mapplethorpe’s X portfolio, as well as the Y and Z portfolios; the show appeared in two venues without any incident. When it was due to open at the Corcoran Gallery of Art in Washington, D.C., during the summer of 1989, politicians who opposed federal funding for the arts became alarmed.

The Corcoran canceled the exhibition, resulting in a protest against the gallery’s withdrawal of the show. Controversy ensued further at a subsequent venue, the Contemporary Arts Center in Cincinnati, where charges of obscenity were brought against director David Barrie. In this high-profile trial, five images from the X 4 portfolio were used as evidence. Barrie was acquitted, and Mapplethorpe has been linked to debates about censorship ever since



James MacLean

About James MacLean

Inspirational, accomplished and passionate. Those are just a few words to describe luxury marketing guru James MacLean, who has transformed the celebrity product placement industry through events such as GRAMMY’S /Latin Grammy's, Nickelodeon’s Kids’ Choice Awards, American Country Music Awards, Golden Globes, Spike TV Video Game Awards, BET Awards, NAACP Image Awards, Sundance Film Festival and Grand Prix Monaco. He continues to set the pace and raise the bar in only the most glamorous settings around the globe.